Greetings from a sunny winter day.
Writing can be fun. Really.
Lately, I’ve been writing lots of poetry, thanks in part to some wondrous poets who inspire and support my dabblings. (Namely, Barbara Krasner, Katharine Cristiani, Joanne Brown, Rasma Haidri, and Julian Gunn, as well as the other many brave souls who write such fresh evocative poems in my current poetry series.)
Last week, we played with the poetic form of a pantoum.
The pantoum originated in Malaysia in the fifteenth century as a short folk poem typically made up of two rhyming couplets that were recited or sung. However, Western writers altered and adapted the form, and the importance of rhyming and brevity diminished.
The pantoum can be of any length, composed of four-line stanzas in which the second and fourth lines of each stanza serve as the first and third lines of the next stanza. The last line of a pantoum is often the same as the first.
It was pointed out to me that the pantoum is often written on account of an obsession, hence the repetition.
And so… here are two of my attempts. I invite you to have a go with any topic of your choosing.
Before the Thaw
When we speak of ice,
how it melts and freezes,
we believe, perhaps, that it’s up to us
but the truth is, our hands are small.
Ice melts and freezes,
the way our hearts open and close.
The truth is, our hands are small—
we reach but cannot touch.
Just as ice, our hearts melt and freeze,
open and close like spring and winter.
We reach but fail to touch;
we sink before the thaw.
We open and close like spring and winter
as if the choice is ours.
We are sinking, I’m bound to tell you,
since we are speaking of ice.
Without You
Without you crowding my hours,
I wander in open spaces.
Now anything is possible,
probable and terrifying.
I wander this open space
certain that my dream was real,
probably, terrifyingly, possibly portentous.
My face so cold in the mirror.
So certain that my dream was real,
I thought to call you home, but
I saw my cold face in the mirror,
blurred as it was, and did not cry.
Should I call you home now,
or are all dreams a lie?
Blurred as it all is, I refuse to cry,
without you crowding my hours.
I’d love to read your pantoum. You can put it into the comment section and I’ll be happy to comment too about what I like about it. Because that’s the way we AWAers roll
Lovely! I’ve never heard of pantoums, so I thank you for introducing them. Some of my writing is often repetitive, so this form might work well for me. I love your two poems.
Hi, Deepam,
I love pantoums, and really enjoyed reading yours! Here's one I expect to include in my chapbook -- many of my poems deal with my growing up in a radical leftist household in the 1950s USA.
First Taste
a pantoum
Baltimore, Maryland (1952)
two men in trench coats and fedoras at the front door
mother in bib apron coming in from the garden
baby pink flannel astride her hip
FBI badges flash “May we come in?”
mother in bib apron coming in from the garden
pulls me closer, muscles tensing
“May we come in?” (one foot in the door)
she backs up to hide the bookshelves
pulls me closer, muscles tensing
I reach a hand forward, smiling
she backs up to hide the bookshelves
says to the hats: “I have nothing to say to you”
I smile, reach a hand forward
she slaps the door shut
“I have nothing to say to you”
like a slap to my face, I startle
the slap to the door
my face in her bosom acrid n my throat
like a slap to my face, I cry
she sinks into the armchair, hand on her mouth
My face in her bosom acrid in my throat
she in bib apron, me in baby pink flannel
her hand over her mouth
men in trench coats and fedoras at the front door